For two years he played virtually every leading male role in the repertoire. Suddenly he walked away without a word, decimating his brilliant career. But the video went viral, inspiring millions of dancers around the world…and Dancer av steven cantor as well. In Dancer, director Steven Cantor proffers an intimate, empathetic portrait of a young man whose prodigious talent encouraged his family to sacrifice too much; whose extraordinary work ethic erased any possibility of being a child; whose artistic vision may well yet refashion the world of dance.
The final dance sequence was the perfect way to close the film. We knew we wanted to have some really amazing set pieces in the film. This was a natural way to end and have an end credit sequence. That last dance represented a rebirth for Sergei. How did getting it change the film? The film evolved very naturally over the course of four years. We had no idea Dancer av steven cantor the backstory, we had no idea that his mother, growing up in poverty in southern Ukraine with very few possessions, had a video camera and was a pretty good shooter, or that his friends at the Royal Ballet kept shooting with their cameras and their phones, or that Sergei himself was a pretty good shooter and captured some amazing personal moments.
We had a serious research effort. We were constantly juggling things around figuring out what the story would be. But the film is incredibly organic, even tight, almost like a well-written screenplay. How did you do that? For any film you try and distill it down to What is the core story, the core psychological background of everything? How well did you get to know Sergei and his family, and what was the process of getting to know each other? For him, to open up was therapeutic on some level—to have to dig into questions in his past.
He was overseas, I was in New York, so it was a slow process of building trust. When we met him he was 23, and he thought, A documentary about my life, that sounds cool. None of us knew. We thought maybe it was going to be a dance piece. I think it sounded like a good idea to him at the beginning, but four years into it he thought, My God, is this ever going to end?
Did the dance element "Dancer av steven cantor" you at all? Sergei was actually the first guy to ever lift her besides me. The home screen of my phone is Sergei lifting my daughter. A lot of documentary filmmakers are working in reality television right now, and the reality television world is so organized and scripted.
I got to know Sergei very well, and at times I was a director, at times I was a friend, at times a coach, really talking about everything.
I hope that this film is about more than just a dancer. Sending your kid
Dancer av steven cantor age thirteen to be raised by the Royal Ballet while you go back to Kiev is unbelievable. In the end, I think it raises the question, Is it worth it? Is Sergei happier at 26—still extraordinarily young—but is he happier at 26 being at the top of Dancer av steven cantor ballet world, or would he have been happier working in the shipping industry in Ukraine and having his parents stay together, having a tight family unit?
I hope the film connects on that level. Through my journey, I realized that for me, to dance is to inspire. To inspire kids, to move dance forward, and to do something with your gift to bring brightness into the world. I mean…I am a dancer. What does it mean to make a choreography your own? When the choreographers are alive, the dancers are allowed to improvise and create.
As soon as the choreographer dies, the opportunities narrow and the ballet company just gives you a video. For a dancer, that becomes very restrictive: They gave me everything they could possibly give me.
They were even giving me more than I needed. Why are they not on talk shows, why are they not doing advertisements? At the age of 19, I went to film directors and said, I want to do a movie. It was hard, because I was a foreigner in London without family, without connections.
All knew was how to destroy and hopefully re-create what I wanted. At that point, I really disliked dance, because I hated the system.
Nobody was helping anybody. It was dead to me. I thought of building a better system, like the movie industry. I thought it was my last dance, but when I saw kids dancing to it, they inspired me, so I realized we can do something with the system. Before the video came out, film producer Gabrielle Tana and I were knocking on doors, but nobody would listen to us. We Dancer av steven cantor to create movies and videos, we want to do shows, and we want to have lawyers and managers who will support dancers.
We want to connect with fashion industry, film industry, music industry, so dancers will have a choice. The company will start working on that. The idea is building a community of people, because in the ballet world everybody was for themselves.
We have to unite. You see the football industry, or any other industry…but who cares about dancers? For four years I was on the road searching for support and wasting my dance time. Sometimes I would say to myself, Why am I traveling, why am I not dancing? It took a lot of strength to keep going into nowhere. There was incredible footage of you improvising when you were a boy. How much do you improvise now, how much do you take from other dance systems?
I worked on the piece with my best friend, Jade Hale-Christofi. He me really well emotionally, so he connected the piece on an emotional level.
But the dance moves were just my favorite moves ever since I learned them years ago. There were some Baryshnikov moves—I spent many, many years stopping his videos and Dancer av steven cantor them. He was a big inspiration. A choreographer has to connect the pieces; he has to be a good director. I know what my moves are, and Jade was really smart the way he connected them.
Are you conscious of your line when your dance: I went to dance school at age three, then I did gymnastics for years, where I learned space awareness. Then I went to ballet school. From the age of nine, after school I would go to a theater coach, and every day we would work on posture, on feeling, for hours and hours. It was seven years of work, every day.
The reason why I am relaxed and can enjoy it now is the hours I put in in school. It would be eight hours a day from the time I was four.
No, it was a huge amount of work, a huge amount of hours. Now I can learn a ballet in a day. I was fortunate not to have that problem. Who puts the most hours in, gets it.
You have to tell that to kids. Dancer av steven cantor I got to the Royal Ballet, I never practiced my technique again. I was concentrating on developing my roles, so I had time to concentrate on acting ability rather than thinking, Am I going to do a pirouette here, or am I going to fall? I actually started working on my voice. On speaking, working with core. Dance is very quiet, and very internal…dancers never speak out, so I just thought I would use the same approach as I used for my dance class, but using different muscles, developing my voice rather than my body language.
Film critic Andrew Sarris: Editor Judy Gelman Myers: For a complete list, see Archives. In Dancer, Steven Cantor's new film about Sergei Polunin, there's heartbreaking footage of the dancer when he was eight years old.
But the video went viral, inspiring millions of dancers around the world and Polunin as well. Steven Cantor. In Dancer, director Steven Cantor. 4- classical ballets (that have already come up in 1/1 Fine Arts AV at the Regs or recent Nats level) .
documentary by Steven Cantor called simply “Dancer.
- Sergei Polunin is a breathtaking ballet talent who questions his existence and his commitment to dance just...
- Dancer () - Rotten Tomatoes
- But the video went viral, inspiring millions of dancers around the world and Polunin...
- That's obviously one reason why Steven Cantor directed “Dancer”, which chronicles the rise...
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Pointe break: ballet's...
Poet and director Jem Goulding captures the inner truths of the restless Prince of dance, in an avant-garde documentary shot entirely on film by filmmaker herself. Though that may be by design, it leaves this portrait feeling frustratingly unfinished. Before the video came out, film producer Gabrielle Tana and I were knocking on doors, but nobody would listen to us.
You are commenting using your WordPress. Edit Details Official Sites: Polunin had become a magnet for journalists, and during interviews he tended to blurt out whatever was passing through his mind.
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